Jiving in Another Time

I have forever been infatuated by the swing club culture of World War II. During the darkest of times, their seedy facades welcomed those who needed somewhere to let loose and celebrate life.

These bold rebels dressed loudly, danced inappropriately, and even had their own underground jargon, saying things like: “Do you dig this jive?” and “Hey man, you’re comin’ up on the wrong riff!”

In the initial brainstorming for my upcoming novel, Beneath the Satin Gloves, I knew I wanted to immerse myself in this rich, lively environment, somehow incorporating my performance background throughout. As a lifelong dancer, I didn’t want to take the obvious route with my main character, making her a gyrating Swing Kid. Instead, I envisioned her name in lights, the essence of retro glamour, commanding a stage and captivating a crowd.

I am the worst singer in the world. Really…can’t carry a tune in a bucket!

I barely even sing when I’m alone in my own house. Why, do you ask? Because my cats protest. They awake from their deep, daytime slumber, rush over to paw at me, and carry on with strange protesting sounds…“Mommy, shh!”

Without a doubt, I knew my main character had to be a lounge singer. I mentioned in my previous post, Berlin: My Scarred Muse, she is a modern day woman who wakes up in the past. She discovers she is a spying lounge singer, thrown into the middle of war-torn Berlin in 1943.

She is catapulted into a time she previously knew through history books and old movies. Seen through her eyes, the disorientation and awe she experiences is constant throughout the story.

An excerpt from Beneath the Satin Gloves…

Alina looked around in awe at the scene before her. Café Rouge could only be described as a place of utmost warmth and brilliance, overcoming the stark hallway and frigid weather. Everything was tinted in a red and gold haze—plush seating, lazy tablecloths, and opulent curtains created a haven of chic seduction. Early winter nights gave some an excuse to party sooner—the other population simply went to bed.

Although the night was just getting started, a few amateurs were sloshed and sweaty. The opening band was incredible, gold instruments creating genius undulations of sound, blasting the audience with a feast for the ears. A clan of stylishly dressed individuals bombarded the dance floor, dancing with unclean movement highly representative of swing culture.

Men flipped women over their shoulders or between their legs, skirts flew up around heads—it was just another seamless part of the show. Hard stomping, spastic jumping, and shameless gyrating permeated the floor; meanwhile, foul-mouthed dwellers drank and smoked at the wobbly tables. Reflections of the mad room swam in Alina’s effervescent eyes.

It was raunchy. It was beautiful.

So, do you cats dig this excerpt? : )

I’m still wrapping up my novel, but it will be out soon (phew!). In the meantime, please enjoy my favorite scene from the movie Swing Kids.

Berlin: My Scarred Muse

When I traveled to Berlin back in 2009, I was mesmerized and speechless: the in your face street art, the bold and chic architecture, the playful, rebellious nature of its people, and the intentionally abandoned scars from a time in history when she almost fell entirely off the map.

I fell in love with the city at a young age, enthralled by its turbulent history and thriving culture. It was the only locale that came to mind when my husband dared me to write a novel. Although I wanted to write about a multitude of time periods, the World War II junkie in me prevailed, and Beneath the Satin Gloves was born.

It is the biggest challenge I have ever taken on, a delicious adventure.

I’ve always wanted to live in another time, and writing effortlessly granted me that impossible wish. Off and on for the past three years, I lived in the 1940s through the characters and plots in my head.

I love the idea of an intelligent character being uncomfortable, completely out of their element. To add a twist to my book, my main character is actually from present day, and wakes up in the past as a spy in Berlin. Therefore, modern elements and thoughts are incorporated throughout the story.

An excerpt from Beneath the Satin Gloves…

One lazy afternoon, spending quality time with her remote control, she flipped through channels and landed on a travel show discussing the gender qualities of cities. American cities, like Chicago, were masculine, embracing smart business suits, non-stop hustle and bustle, and snappy hamburgers. European cities, like Brussels, were feminine, encompassing tidy dogs, chic cafés, and lazy croissants swimming in artery-blocking cream.

Berlin was both feminine and masculine, eclectic sense of style mixed with undeniable assertiveness. Graffiti covered the walls in one eye-catching portrait after another, expressing creativity and attitude beneath its brazen messages.

It was estimated that ninety percent of Berlin was destroyed during World War II. Walking around that summer, she found bullet holes permanently embedded in different exteriors around the city. She often stopped and touched them, closing her eyes, feeling these scars as if they were her own.

Scars could never diminish Berlin’s spirit. There was no need to cover them up with unnecessary make-up, because they made the city who she was—a survivor.

Many would claim Berlin is not a romantic city, but I beg to differ. In my eyes, romance is defined by complexity, passion, and intrigue.

I am currently in the final editing stages. I would love to hear your feedback! What do you guys think of the excerpt?