Step One: Write a letter. Be firm and sarcastic.
Step Two: Just for sport, go ahead and close a credit card today. I’m gonna.
There’s style…
I believe in style, the ability to express through one’s outer layer, portraying a mood, character, or even another time.
It was somewhat of an accident when I stumbled into a five year stint selling designer jewelry at a luxury retail store. It was a college job which continued well after graduating. My professors teased me in school, wondering why the student writing prolific papers on human rights and conflict management was bejeweling the Dallas elite.
Raised by a single father, there was little money for shopping and little emphasis on a feminine appearance. My dad tried fixing up my hair when I was younger—it was a constant disaster.
I had this incredible urge to outwardly convey creativity and rummaged through thrift stores for sport. Unlike the head to toe chain store ensembles adorning most of the other kids my age, I looked unique. Despite being made fun of, I felt good about myself.
Then, there’s materialism…
Working in sales at a high-end store was a vast departure from the bargain bins and musty vintage I preferred. I made good money, but I never fit in.
When I got engaged everyone wanted to drool over an ostentatious diamond ring. I’ll never forget their shocked faces. My hemp engagement ring was unanimously lost on my coworkers and clients.
As you can imagine, half a decade in this posh environment loaded my brain with ammo. I was armed to the teeth with outlandish stories of the rich and famous, those keeping up with the Joneses, and of course, the employees who fell somewhere in between.
My next book, Everything’s Not Bigger, will release on November 10. The premise explores the choice between excessiveness and simplicity.
There’s a well known slogan in Texas…Everything’s Bigger in Texas. You’ll find it on t-shirts, bumper stickers, and shot glasses. The meaning is subject to interpretation, geographically referring to its size and often humorously referring to anatomy.
But, I see “bigger” on a deeper level.
What is bigger–an expensive car, an oversized house, an endless walk-in closet–is not better, leading to emptiness, a life of dissatisfaction. What is not bigger, that which bears no price tag in life, is priceless.
An excerpt from Everything’s Not Bigger…
The female customer species consisted of the same story told in various ways with the same predictable ending. These customers were either married or divorced, socialites or stay-at-home moms, surgically enhanced or scheduled to be.
Their husbands were prosperous business men spearheading the oil industry. They flew from one corner of the world to the other, cheating with any woman that came along, and there were many. Money was used to attract and pay, either with the works—a covert life with a limitless charge card and a sleek apartment—or just plain prostitution.
The wives took on boy toys in their lonely existence. Mainly they found solace in a guaranteed place—Lyman’s. They could walk in at any moment and feel good about themselves. Divorces were born out of these unhappy marriages; handsome settlements kept the ex-wife happy in her accustomed riches, and cleverly away from the royal fund. Marriages also continued in this manner, sustaining the perfect life manifestation.
Some of these women could legitimately afford to shop at Lyman’s, and bought everything with abyssal bank accounts. Most couldn’t maintain and maxed out their cards to saunter out with the stuff, only to wear and return it all immediately.
There was a harsh reality about the treasures at Lyman’s. The large-scale return regime of the wannabees and the moody elite turned this seemingly posh environment into what it truly was—a secondhand store and a pretty sham.
Shoes, jewelry, even the lingerie swam in a vicious cycle from one store to the next, one body to the next. Used then repaired, the illusion was complete with a freshly printed tag, small and neat, covered in a big, dirty price.
Working on straight commission, sales people scooped up valuable customers and ran away from the dreaded returners. They couldn’t ferret out every chronic returner. Newbie employees with unrefined returner radars particularly got stuck with them. They wasted hours coddling their customer’s egos only to have the bags emptied on the counter the next day, frequently the next hour.
Strangely enough, the employees ran parallel lives to the customers, both spending most of their lives and incomes in one marvelous place. Lyman’s credit cards were not encouraged, they were mandatory, adding more fashion slaves who couldn’t look rich and tried anyway.
A corresponding group of employees, gloating with plastic faces and disposable incomes, voluntarily chose to work there. Having found no other place they would rather be, this species preferred the company of resplendent merchandise and the elegant clientele, who were often their personal friends.
Lyman’s employees sparkled on the outside, exuding confidence when they had not a drop. Teetering in a state of materialistic psychosis, they never whistled while they worked. Day in and day out, a seductive hum circled through the air—sell, sell, then sell some more!
After a grueling stint in traffic, Jaye punched the grimy keys of the outdated computer in the back hallway. She was ten minutes late, and the all store meeting was about to begin.
Which Lyman’s category did Jaye Davis fall under? None of the above.
I’m not a musical theater buff in any shape or form. Harboring cheesy dance moves and peppy tunes that get eternally stuck in my head, I usually steer clear. However, there are exceptions.
I appreciate the dark and gritty, R-rated types…specifically Chicago, my all-time favorite. Give me glamorous femmes fatales and the unmatched genius of Bob Fosse any day.
Somehow I missed the boat, and have never danced to “All That Jazz”. Now you might be thinking…big whoop! But, it’s kind of against nature for a jazz dancer.
See, I was too curvy for tutus, too skeptical for interpretive dance—you know the kind where you’re supposed to actually be the tree—and too demure to crunk.
Jazz dancing has always been the right fit for me, a chance to sass and captivate. I could pretend to be back in the 1920s, a spunky cabaret dancer teasing the crowd and having a ball.
Recently, opportunity came knocking on my door.
Last Friday, RunUp 2012: The Roaring Twenties, a 1920s themed fashion show, gala, and costume party benefitting Froedtert and The Medical College of Wisconsin Cancer Unit, commenced at the Historic Pritzlaff Building here in Milwaukee.
Guess who finally got to perform “All That Jazz”?
A good friend of mine, Hannah (the striking blonde who looks like Roxy Hart’s twin) was choreographing, and offered up the gig to a select few—the Jazz hands experts. The four of us would serve as back-up dancers to Bjorn Nasett, a legendary entertainer making a comeback.
Last year I hung up my performance shoes. Enthusiastically, I took them down, tossed some fishnets on, and got my shimmying self back on the stage.
And, it was grand.



Sometimes I teeter on dualistic, an all or nothing kind of gal. This unexpected return to the spotlight taught me to rethink my stubborn ways, to be open to the right kind of opportunities.
Of all the times I’ve performed, I’ve only been paid once. Some years ago an envelope bulging with cash was hastily thrust into my hands before a ballet class, and it was weird.
Dancers don’t do it for money. The ones who do get paid earn peanuts.
As much effort as it takes, dancing for joy and pleasure has always made sense to me. It’s a special art I’ve known intimately all my life. It’s an honor to take people away, to make them smile, to encourage them to let go and have fun.
What happens on the stage is beneficial to everyone—the performers, the spectators, the choreographers and directors. To escape the grind for the sake of feeling good is a necessary perk of life.
In the words of Billy Flynn: “This trial…the whole world…it’s all…show business.”
If I can get my hands on some video footage of our performance, I will most certainly post. Until then, here’s a fun poll…I’ll reveal the correct answer at the end of next week.
Just wanted to give everyone a quick update on my recent e-book release.
Haven’t heard of my quirky spy novel yet? You can get up to speed right here.
In addition to Amazon and Smashwords, Beneath the Satin Gloves is NOW gracing the virtual bookshelves of Apple and Barnes & Noble.
A sincere thanks to my fellow bloggers, readers, family, and friends for your magnificent support as I navigate this whirlwind endeavor of becoming a novelist.
You keep me happy, sane, and inspired.
Check out the rave reviews thus far…
Spies, Sex, Glamour and…time travel? I must begin by saying that I am not generally into reading about the WWII era, and have never before read anything about Germany during the war. I decided to take a break from my “preferred eras” to read this fun book and am I glad I did! Well-researched, with an intriguing plot line, Beneath the Satin Gloves had much to keep me glued to it on my Kindle. I enjoyed getting to know the characters and loved how some of the “bad guys” got theirs in the end. Not all, but THAT would be a spoiler. What I have to know now is WHAT HAPPENS NEXT????? Read this book and you will find yourself asking the same question at the end. I guarantee it! Enjoy!
Couldn’t put the book down… Charming characters and vivid descriptions are what make this suspense novel a real page turner. I was able to imagine myself in war torn Germany during WWII. Britt Skrabanek is a talented writer.
When I was a little girl, I idolized Nancy Drew. She was clever, stylish and feisty…my kind of heroine. She made elegance and intellect look easy, showing us that women were not only beautiful creatures, but forces to be reckoned with.
Several of my core interests stemmed from my childhood obsession with Nancy Drew: a nerdy love affair with history, writing strong female characters, and a vintage clothing addiction.
Yesterday, I unearthed a treasure, hidden in the folds of my new vintage handbag. No, the treasure did not have any monetary value, but in my eyes—it was a priceless discovery.
Awestruck, I found myself staring at artifacts in the palm of my hand: baseball tickets and a voting certificate with a list on the back. The year was 1954, a time of I Love Lucy, the Communist Control Act, Elvis Presley, Marilyn Monroe, and of course…baseball.
Almost sixty years later, I find these clues from the past, offering a tiny glimpse into another woman’s life.
Looks like I get to be a sleuth after all.
Clue #1: Baseball Tickets
During the 1954 season, Milwaukee Braves player Hank Aaron was making his permanent mark on the world of baseball. One of the first five African Americans to play in the league, he is considered to be one of the greatest baseball players of all time.
When: Sunday, August 22, 1954
Who: Milwaukee Braves vs. Chicago Cubs
Where: Wrigley Stadium
Winner: Milwaukee Braves 12-6
When: Wednesday, August 25, 1954
Who: Milwaukee Braves vs. Philadelphia Phillies
Where: County Stadium
Winner: Milwaukee Braves 4-3
Clue #2: Voting Certificate and List
Unfortunately, I didn’t have much luck gathering solid information about the voting certificate, and if you have any insights out there, please feel free to comment down below. On the flip side of the certificate was a list, the most revealing lead…
Chocolate
Fly Swatter
Shoes
Film
Loan
So, who was she?
Based on the clues, I have created three different profiles of women, who may have owned the handbag…
If someone were to discover hidden artifacts in my handbag sixty years from now, they would probably find writing/dancing notes and a receipt for dessert.
What about you? Name two clues that might be discovered in your handbag or wallet.
Or, if you care to share…who do YOU think the woman with the handbag was?